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Auction 41 · Lot 241
Sepher Mitzvoth Gadol (Sma”g) [“The Great Book of Commandments”: Enumeration of the 613 precepts]
- Estimate
- $8,000–$10,000
- Hammer price
- $8,500
Historical auction record. Hammer prices exclude buyer’s premium and taxes.
author
MOSES OF COUCY
printer
Daniel Bomberg
Place
Venice
Publication
1522
Description
Third edition. Divisional title. Printed in Rashi type in double columns. Initial words white-against-black floriated background. Scattered learned Hebrew marginalia in an old hand. On final page, signature of censor: "Dominico Irosolimitano" (see Wm. Popper, The Censorship of Hebrew Books, pl. III, no. 1). On final blank, inscription of former owner in Hebrew in an Italian hand: "I the undersigned, of my own free will to conquer my evil inclination, swear not to laugh...for five consecutive years, commencing today, the 25th of Kislev, 5497 [1737] until the 25th of Kislev, 5502 [1742] should I not be engaged to be married during these years. May God help me to keep my vow, Amen. Raphael Foa." Censored in places
references
Vinograd, Venice 66; Habermann, Bomberg 73; Adams M-1870
summary
First Post-Incunable Edition.
After Maimonides’ Mishneh Torah, the Sepher Mitzvoth Gadol (Sma”g) would be the next significant work of codification, reflecting French halachic tradition. Thirteenth-century Rabbi Moses of Coucy followed Maimonides’ general arrangement of the precepts, dividing the 613 commandments into 248 positive commandments and 365 negative commandments.
Joshua Boaz's Ein Mishpat (which first appeared in Bomberg's Venice edition, and has remained a mainstay of the printed page of the Talmud ever since) cross-references the Halachic decisions of three codes, Ramba”m, Sma"g and Tur, which historically represent three Jewish communities: Sepharad (Spain), Tzarphath (France), and Aschkenaz (Germany). Concerning the author, and purpose, contents, and order of the Sma"g, see E.E. Urbach, Ba'alei HaTosaphoth, pp. 384-95
ff. 250. (Habermann and Vinograd record ff. 248, evidently not having included the title and final blank. Our signatures differ slightly from Adams'. Title laid to size. Marginal worming, light stains. Contemporary blind-tooled vellum with florets and cartouche in center, front and back, worn. Folio
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