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Auction 13 · Lot 396
(Traditionally Attributed to. “Revealed” to Moses b. Shem Tov de Leon). Sepher Hazohar [the mystical “Book of Splendor”]
- Estimate
- $10,000–$12,000
- Hammer price
- Not recorded
Historical auction record. Hammer prices exclude buyer’s premium and taxes.
author
SHIMON B”R YOCHAI
printer
Vincenzo Conti
Place
Cremona
Publication
1559-1560
Description
FIRST EDITION. Three parts in one volume. Title within elaborate garlanded and draped woodcut architectural arch.
references
Vinograd, Cremona 24; Benayahu, Cremona 21; not in Adams
summary
Two issues of this edition exist. This is the second issue however the title page of the present copy which apparently exists in only one other copy (Schocken Institute, Jerusalem) belongs to the first issue.See Benayahu, Cremona pp.121-37 (illustrated).
The Zohar, the most classic of Jewish mystical texts, was printed amidst fierce controversy. Many among Rabbinic and Kabbalistic circles feared the printing of such an esoteric work; its meaning might be distorted by Christians in support of their faith, and the majority of Jews themselves would be confused by the implications of the Zohar’s mystical teachings. The first two editions of the Zohar were printed by competing printers in the neighboring towns of Mantua (1558-60) and Cremona (1559-60), both consulting numerous manuscripts in an attempt to establish literary accuracy. The Mantua Zohar was printed in three volumes in Rashi script, while the Cremona Zohar was printed in one large volume in square script. Consequently, these editions became known as the Zohar Katan (“Small Zohar”) and Zohar Gadol (“Large Zohar”) respectively.
Despite Conti’s judicious advertising and patronage by men of influence, the textual superiority of the Mantua version gained success and Conti’s attempts to overreach his Mantua rivals weres unsuccessful. Nevertheless, the Cremona format was favored by the Polish and German Kabbalists until the beginning of the 18th century. Most all other editions follow the Mantua format. See G. Scholem, Major Trends in Jewish Mysticism (1941) pp.156-243; Scholem’s extensive article in EJ XVI, col.1194-1212; D. Amram, The Makers of Hebrew Books in Italy (1963) pp.325-27; Carmilly-Weinberger, pp.53-55; Pierpont Morgan Library Catalogue, Hebraica from the Valmadonna Trust (1989) no. 38.
ff. 132; 122; 146. Stained in places, title repaired with portion of woodcut supplied in facsimile, neat marginal repairs to last few leaves, ownership inscriptions on title, marginalia, signed by censor on verso of final leaf. Modern blind-tooled brown morocco. Folio
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