LUZZATTO, SAMUEL DAVID

AUCTION 24 | Tuesday, June 29th, 2004 at 1:00
Fine Judaica: Printed Books, Manuscripts, Ceremonial Art and Holy Land Maps Including Ceremonial Art from the Collection of Daniel M. Friedenberg

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Lot 169

LUZZATTO, SAMUEL DAVID

Viku’ach al Hochmath ha-Kabbalah ve-’al Kadmuth Sepher ha-Zohar ve-Kadmuth ha-Nekudoth ve-ha-Te’amim / Dialogues sur la Kabbale et le Zohar et sur l’antiquité de la ponctuation et de l’accentuation [Dialogue on the Kabbalah and the Zohar, and the Antiquity of the Vowel Points and Cantillation Notes] pp. 137, (9). Trace stained. Marbled boards. 4to Vinograd, Gorizia 5

Gorice: J.B. Seitz 1852

Est: $300 - $400
PRICE REALIZED $150
Samuel David Luzzatto (1800-1865) was a uniquely Italian mixture of pious adherence to religious tradition and daring modern scholarship. The tension between these two poles is voiced in the present dialogue between “the Guest” (a Polish interloper) and “the Author.” The reader is in for a surprise: The views of the Guest, which represent an assault on the antiquity of the Kabbalah and call into question its faithfulness to received rabbinic tradition, are actually those of Luzzatto himself. While accepting the antiquity of Sepher Yetzirah (the Book of Creation), Luzzatto denies that the “ten sephiroth” alluded to therein are the ten neoplatonic hypostates of later Kabbalah. To Luzzatto’s thinking, the “ten sephiroth” of antiquity are nothing but the decimal system of mathematics! In an addendum to the book, the author mentions the latest findings of Landauer, who would attribute composition of the Zohar to Abraham Abulafia, and of Adolph Jellinek, whose ascription of the Zohar to R. Moses de Leon, Luzzatto finds most trenchant