Sepher Ha’machberoth Le’Mar Immanuel [poetry]

AUCTION 15 | Tuesday, March 12th, 2002 at 1:00
Fine Hebrew Books, Manuscripts and Works of Art The Property of Various Owners

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Lot 252
IMMANUEL BEN SOLOMON OF ROME

Sepher Ha’machberoth Le’Mar Immanuel [poetry]

FIRST EDITION. With zodiacal illustrations on ff.48r-49v and colophon on f.160r ff. (159 of 160), lacking the opening blank. Lightly dampstained, paper repairs to last leaf including taped repair to small hole, previous owners inscription on opening leaf, signed by censor on verso of final leaf. Modern gilt-tooled chestnut morocco, gilt-titled spine labels. Sm. 4to Vinograd, Brescia 3; Goff Heb-43; Freimann & Marx, Thesaurus A-77; Carmilly-Weinberger, pp.214-7

Brescia: Gershom ben Moses Soncino 30th October, 1491

Est: $20,000 - $25,000
PRICE REALIZED $16,200
The first printed book of Hebrew poetry. Immanuel of Rome (c.1261-1368), a contemporary of Dante’s, known in Italian as Manoello Giudeo, modeled his literary work on the classic Sephardic poets - Solomon ibn Gabirol, Judah Halevi and Judah Al-Harizi. However, he also displayed a significant Italian influence. His famous vision of Heaven and Hell, influenced by Dante, is contained in the final section of this work. The Machberoth contains 27 compositions in the nature of satires, letters, prayers and dirges. The illustrations of the signs of the zodiac are the first to appear in a Hebrew book. Immanuel’s Machberoth is one of only two literary Hebrew incunabulae. The frivilous and sometime erotic nature of this controversial collection of sonnets and satires caused its censure. R. Joseph Karo forbade all from reading it, consequently, a subsequent edition was not published for another two centuries. According to Roth, Immanuel of Rome was “the most remarkable and the most important figure of the Renaissance period in the Jewish world.” See C. Roth, The Jews in the Renaissance (1959) pp. 89-103