<<Anton Margaritha.>> Der Gantz Jüdisch Glaub [“The Whole Jewish Belief”].

Auction 90 | Tuesday, July 21st, 2020 at 1:00pm
Fine Judaica: Printed Books, Manuscripts, Graphic & Ceremonial Arts

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Lot 82
(ANTISEMITICA).

<<Anton Margaritha.>> Der Gantz Jüdisch Glaub [“The Whole Jewish Belief”].

ff. (128). Second edition. Woodcut vignette on title with three further woodcut illustrations. Sporadic use of Hebrew. [Adams M-574; Freimann, p. 148]. Frankfurt a/Main, n.p. 1544. << * Bound with:>> (Samuel Marochitanus). Sendbrieff Rabbi Samuelis des Juden [“Epistle of Rabbi Samuel” - conversionary tract]. ff. (32). [Freimann, p. 424]. Frankfurt a/Main, Jacob zum Bart., 1544. Together, two works bound in one volume. German text. Contemporary blind-tooled vellum incorporating an <<early manuscript leaf.>> Ex-library. Upper right hand corners of ff. 22-3 torn, dampstained. Vellum. 4to.

Frankfurt a/Main: 1544

Est: $1,000 - $1,500
PRICE REALIZED $1,600
An apostate and anti-Jewish writer (his name is a corruption of the family surname Margolis), Anton Margaritha was born c.1490 and converted to Catholicism from Judaism in 1522. This libelous tract in which the author ridicules Jewish religious practice and beliefs had a great influence upon Martin Luther who often quoted it in his own writings. Margaritha accuses Jews of lacking charity and piety, of harboring sentiments hostile to Christians, and finally, of treason. What gave Margaritha especial “credibility” was the fact that he was no ordinary Jew but the son of Samuel Margolis, Chief Rabbi of the city of Regensburg, the Empire's most distinguished Jewish community. Elisheva Carlebach has dealt extensively with this work which she describes as a “sixteenth-century bestseller.” See Carlebach, Divided Souls (2001) pp. 55-6, 63-64, 179-182; see also EJ, Vol. XI, cols. 958-9. The Epistle of Rabbi Samuel is a fabrication with the same degree of ‘scientific’ validity as the later, infamous, Protocol of the Elders of the Zion. Designed to convert Jews to Christianity, the epistle was supposedly composed in Arabic by a Moroccan Jew ("Samuel Marochitanus") at the beginning of the 11th-century and later went through several European translations. See Studies in Bibliography and Booklore, Vol. V (1961) p. 89, no. 67.